#Greer special request how to

since there's no mention of 'Clean 3' you will leave it unconnected. on the board there's a wire marked clean 1, so you will have a wire that runs from this point on the board and connects to lug 1 of the clean pot. you should have the wire that runs from lug 3 of the volume pot and connected to lug 2 of the clean pot. it also says in the notes 'Volume 1 to Ground,' which means that you're going to have a wire that goes from lug 1 of the volume pot and connect to a ground location (like the input/output jack). in the notes it says 'Volume 2 to Output,' this means that the output from the board to the switch comes from this location, so you're going to need to have a wire go from lug 2 on the volume pot and will go to the switch (check the offboard wiring to see where on the switch it goes). it also says in the notes 'Volume 3 to Clean 2,' which means that you will need to have a wire that connects from lug 3 of the volume pot to lug 2 of the clean pot. on the board it has a wire that says 'Volume 3,' which means that you need to have a wire go from that point on the board to lug 3 on the volume pot. every layout will have notes on the bottom with this information. if you look at the bottom of the layout you should see the notes that tells you what the pots are, additional wiring that's not shown on the board, transistors and/or IC's, diodes, etc. you'll see that there's 2 pots, volume & clean.

#Greer special request how to

Now to help explain how to wire the pots for this effect. you will also see how the lugs of the pots are numbered, which is always the same. You'll see that there's a diagram of how to wire the effect to the on/off stomp switch, which will pretty much be the same as every effect. To explain for wiring the switch you'll want to read the offboard wiring section. It has a bit of a bright voice to it very clear and open so maybe not what some people think of as a 'D' style sound, idk.

now as to getting a drawing of the wiring of the pots, it's probably not going to happen because of the time to make it and its something you need to know how to do for each effect you plan on building, but each pedal will be different. That Greer Special Request is underrated imo. que realmente hicimos un montón de cambios en este e hicimos algo especial fuera de él. hay un hilo en este bajo la sección contribuciones del foro. yo uso la mía para el bajo en su mayoría, y cambié los tapones de entrada y salida de 470nF, creo que cambió su vaso a la entrada y salida de 470nF 100nF, pero yo no lo recuerdo. lo que la mayoría de nosotros hicimos fue cambiar las tapas de entrada y salida para que coincida con lo que queríamos salir de ella. Sin preocupaciones hombre, contento de ayudar. we really made a bunch of changes to this and made something special out of it.

there's a thread on this under contributions section of the forum. i use mine for bass mostly, and changed the input and output caps to 470nF, i think beaker changed his to 470nF input and 100nF output, but i don't remember. what most of us did was change the input and output caps to match what we wanted to get out of it.